Entity | WGBH
WGBH (89.7 MHz; branded as GBH without the "W" since August 31, 2020) is a public radio station located in Boston, Massachusetts. WGBH is a member station of National Public Radio (NPR) and affiliate of Public Radio Exchange (PRX), which merged with Public Radio International (PRI; also owned by the WGBH Educational Foundation before it merged with PRX in 2018), and American Public Media (APM). The license-holder is WGBH Educational Foundation, which also owns company flagship WGBH-TV and WGBX-TV, along with WGBY-TV in Springfield. The station, dubbed Boston Public Radio in 2009, renamed Boston's Local NPR, broadcasts a news-and-information format during the daytime (including NPR News programs and PRX's The World, which is a co-production of WGBH and PRX, and formerly the BBC World Service), and jazz music during the nighttime.
Read more at Wikipedia...
Inception: 1951
Alternate Names: WGBH (Television station : Boston, Mass.), WGBH (Station de télévision : Boston, Mass.), WGBH Boston, Mass., W.G.B.H.-TV (Television station : Boston, Mass.), Boston (Mass.) WGBH (Television station), Boston (Mass.) W.G.B.H. (Television station), W.G.B.H. (Television station : Boston, Mass.), WGBH-TV (Television station : Boston, Mass.), Boston Television station WGBH-TV., WGBH-TV Boston, Mass., WGBH
Field(s) of Work: public radio
Associated Place(s): Boston, Massachusetts, United States of America, United States
Appears in:
National Association of Educational Broadcasters (NAEB) 150
Evolution of jazz 80
- Afro-Cuban influence, part one
- Afro-Cuban influence, part two
- Bix Beiderbecke, part one
- Bix Beiderbecke, part two
- Boogie woogie and the beginnings of ragtime, part one
- Boogie woogie and the beginnings of ragtime, part two
- Bop continued, part one
- Bop continued, part two
- Bop instrumentation, part one
- Bop instrumentation, part two
- Bop, part one
- Bop, part two
- Chicago jazz, part one
- Chicago jazz, part two
- Collective improvisation and cool jazz, part one
- Collective improvisation and cool jazz, part two
- Cool jazz continued, part one
- Cool jazz continued, part two
- Count Basie, part one
- Count Basie, part two
- Dave Brubeck, part one
- Dave Brubeck, part two
- Dixieland, part one
- Dixieland, part two
- Duke Ellington continued, part one
- Duke Ellington continued, part two
- Duke Ellington, part one
- Duke Ellington, part two
- Early New York jazz, part one
- Early New York jazz, part two
- Extended form in contemporary jazz continued, part one
- Extended form in contemporary jazz continued, part two
- Extended form in contemporary jazz, part two
- Fats Waller, part one
- Fats Waller, part two
- Form of the blues, part one
- Form of the blues, part two
- Growth of jazz, part one
- Growth of jazz, part two
- Hot jazz, part two
- Influences merging, part one
- Influences merging, part two
- Influences on New Orleans jazz, part one
- Influences on New Orleans jazz, part two
- Instruments in New Orleans jazz, part one
- Instruments in New Orleans jazz, part two
- Introduction, part one
- Introduction, part two
- Jazz in the 30s and 40s, part one
- Jazz in the 30s and 40s, part two
- Jazz on the Eastern seaboard, part one
- Jazz on the Eastern seaboard, part two
- Jazz spreads, part one
- Jazz spreads, part two
- Kansas City, part one
- Kansas City, part two
- Large jazz bands, part one
- Large jazz bands, part two
- New Orleans influence on Chicago jazz, part one
- New Orleans influence on Chicago jazz, part two
- New Orleans jazz, part one
- New Orleans jazz, part two
- Origin of the blues, part one
- Origin of the blues, part two
- Program 37
- Program 38
- Ragtime, part one
- Ragtime, part two
- Series wrap up, part one
- Series wrap up, part two
- Southern African-American influence, part one
- Southern African-American influence, part two
- Swing, part one
- Swing, part two
- Transition continues, part one
- Transition continues, part two
- Transition into modern jazz, part one
- Transition into modern jazz, part two
- West African influence, part one
- West African influence, part two
They bent our ear 21
- Alexander Mackay
- Captain Basil Hall
- Captain Basil Hall
- Captain Frederick Marryat
- Captain Frederick Marryat
- Charles Dickens
- Charles Dickens
- Chevalier and Grattan
- Frances Trollope
- Frances Trollope
- Francis Joseph Grund
- Francis Joseph Grund
- Fredrika Bremer
- Fredrika Bremer
- Harriet Martineau
- Harriet Martineau
- James Fenimore Cooper
- James Fenimore Cooper
- James Silk Buckingham
- Sir Charles Lyell
- William Makepeace Thackeray
What a piece of work is a man 14
- Ancient views of human nature, part 1
- Ancient views of human nature, part 2
- Contemporary picture, part 1
- Contemporary picture, part 2
- Human potentialities, part 1
- Human potentialities, part 2
- Individual in relation to history, part 1
- Individual in relation to history, part 2
- Symbols and immediate experience, part 1
- Symbols and immediate experience, part 2
- Visionary experience, part 1
- Visionary experience, part 2
- Why art?, part 1
- Why art?, part 2